Updating instead of getting work done

Things are going well on this end. Here's a few updates:

The house is developing nicely. I've been here for almost three weeks now, and it feels more and more like my home than this big building that I'm inhabiting. Having the kitchen done and all the appliances hooked up will make a huge difference, as it's hard to settle in someplace when your only water comes from bathroom sinks, your dining room is filled with cabinets and your fridge is in the living room.

It's been nice having Suraya as a houseguest during this time, although we rarely see each other. A more constant companion has been her cat, Midnight, who has taken an aggressive shine to me. Unfortunately I have a mild allergy to cats, and Midnight is very dander-y. Still, whenever I choose to work downstairs, I have a loudly purring ball of night who routinely head-butts me and burrows into my side until I pay attention to her.

iScan is gearing up, with our first production meeting. I've secured the only missing prop (the couch) and we go into rehearsals in two weeks.

The One Eyed Man is King is a show I'll be acting in at the Phoenix Theatre, this May. Directed by Bahati Bonner and co-starring Andi Trindle, it's going to be a really great show and a true challenge for me. I'm looking forward to it, and really need to start working on the script.

Radiostar: Improv is relaunching for 2009. We've had a couple of weeks of recording sessions and I've just been handed "Hypnosis" (working title) for editing and posting (hopefully this week). I also want to get back to work on the fourth cartoon.

The 411 script continues slowly. I'm about a third of the way through it, I think. I hope to get some work on it done this week.

Everything else is up in the air. Steve is gathering forces for the Sweetie Tanya re-recording session and I need to get working on the cast gift. I was very heartened by a spontaneous love-message-fest by the cast on Facebook, and need to be sure that Tanya doesn't drift in the aether for too long. The novel continues to glare at me from the pile, along with Wings to Fly, Mammals in Collision, Called to the Sea and SickFucker.


on the side of unproductivity, as I arrange my bookshelves, I've been reading through some of my old comics. Some are being put in a pile for Craigslist or eBay duty, and others I'm finding are as compelling and fresh as they were back in the 90's when I got them. In particular, I've renewed my appreciation for John Francis Moore's run on X-Men 2099 and Eric Luke's run on Ghost. Sadly, I couldn't find much in the way of interviews for them. I forget sometimes that people don't often interview writers. It probably doesn't matter, because what I'm most curious about are Moore's thoughts about the way that Marvel obliterated the 2099 imprint, and Luke's thoughts about the direction Ghost took after he left the series that he invented. These are topics that people are loathe to speak candidly about in public, since they may need to work with certain parties again in the future.

Resist

I could write about adjusting to being in the new house.
I could write about marching for peace in Gaza in San Francisco.

But I want you to see this protest in Israel itself.