Just finished Act II. It's going to need more work, but most of the play will, I think, need some workshopping to get the timings right anyway. It's hard to know how much or how little dialogue you need to make the timings of entrances and exits work and how much of a chaotic moment needs to be spelled out.
Reglardless, now I can start writing act III.
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The senseless ravings of a lover, poet, and lunatic. Granted the three terms are pretty much synonyms, but you can learn to deal with that over time.
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